When the early European folk dances—particularly the courtship forms—were incorporated into court dances, they lost many of their boisterous and pantomimic elements. The man no longer thrust forward to embrace the woman or lifted her vigorously into the air, but simply knelt and took her hand. The woman’s earlier violent resistance dwindled into a coquettish turn of the head, and energetic strides and runs gave way to simple gliding steps, often forming intricate patterns that were punctuated with small poses, bows, and curtsies. The social, as opposed to the theatrical, forms that these early court dances inspired gradually became more ...(100 of 23178 words)