theatre-in-the-round

verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Share
Share to social media
URL
https://mainten.top/art/theatre-in-the-round
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

Also known as: arena stage, central stage, centre stage theatre, island stage, theater-in-the-round
Also spelled:
theater-in-the-round
Also called:
arena stage, central stage, or island stage
Related Topics:
stage

theatre-in-the-round, form of theatrical staging in which the acting area, which may be raised or at floor level, is completely surrounded by the audience. It has been theorized that the informality thus established leads to increased rapport between the audience and the actors.

Theatre-in-the-round has its roots in rituals such as those performed by the ancient Greeks, which evolved into classical Greek theatre. It was used again in medieval times, especially in England, where it gave way to the open stage of Elizabethan times. During the late 17th century the proscenium stage, which limited audiences to the area directly in front of the stage, came to dominate theatre.

Beginning about 1930, however, with the productions of Nikolay Pavlovich Okhlopkov at his Realistic Theatre in Moscow, theatre-in-the-round began to gain favour with stage designers who were dissatisfied with the limitations of the proscenium. Advocates of theatre-in-the-round maintain that it offers a wider range of stage size and activity and allows for a larger audience in a given space. In general, such a theatre requires less scenery and scenic space and fewer stage hands and storage rooms and is less expensive to build and maintain than a proscenium-stage theatre. It was widely adopted by experimental theatre troupes in the late 1960s as part of their efforts toward rejecting bourgeois illusionism and exploring various forms of “popular” theatre.

Listen to Norris Houghton discuss the difficulty of staging Anton Chekhov's The Cherry Orchard
More From Britannica
dramatic literature: The arena stage
This article was most recently revised and updated by Richard Pallardy.