Ada Rehan
Ada Rehan (born April 22, 1857, Limerick, Ire.—died Jan. 8, 1916, New York, N.Y., U.S.) was an American actress of the late 19th century, one of the finest of her day, whose great popularity grew from performances of Shakespeare and adaptations of European comedies.
Ada Crehan grew up in Brooklyn, New York, where her family settled shortly after the Civil War. She followed her older sisters onto the stage, making her debut at the age of 14 in Across the Continent in Newark, New Jersey. Mistakenly billed as Rehan for her first appearance at Louisa Lane Drew’s Arch Street Theatre in Philadelphia, she thereafter retained the misspelling as her stage name. She continued her apprenticeship in stock companies, playing in Louisville, Kentucky, in Albany, New York, and in Baltimore, Maryland, and she made her New York debut in Thoroughbred in 1875. Four more years of supporting roles followed.
In 1879 she was invited to join the company of Augustin Daly, under whose management she first appeared in an 1879 production of Émile Zola’s L’Assommoir. Shortly thereafter Rehan became the Daly company’s leading lady. Her association with the company lasted 20 years, until Daly’s death in 1899, and her more than 200 roles included many from plays by Shakespeare as well as from several European comedies adapted by Daly for the American stage. Rehan was first among equals in the “Big Four”—Ada Rehan, John Drew, Anne H. Gilbert, and James Lewis—the core of Daly’s company and the secret of his success in creating a tradition of superb ensemble acting. She was already a star when she first appeared to general acclaim in London in 1884; her reception in Paris and other European capitals was equally enthusiastic.
Rehan’s greatest role, first played in New York City in January 1887, was Katherine in The Taming of the Shrew. Other Shakespearean roles for which she received acclaim include Rosalind, Beatrice, Viola, and Portia. In 1893 she became a partner in Daly’s London theatre. She created the role of Maid Marian in Alfred, Lord Tennyson’s The Foresters, which premiered in New York in June 1892. In 1894 she starred in a phenomenally successful London production of Twelfth Night. She appeared in San Francisco in 1896 as part of an American tour, but she frequently returned to London during her last years on the stage.
Rehan’s career effectively came to a close at the death of Daly in Paris. Her revivals of her old repertory after 1900 seemed dated and unglamorous, and she herself confessed that she was indifferent. She gave her final performance in New York City in 1905. She had prospered as an actress, however, and she subsequently lived in comfortable circumstances in England and the United States.