Alun Owen
Alun Owen (born Nov. 24, 1925, Liverpool, Eng.—died Dec. 6, 1994) was a Welsh dramatist for radio, television, screen, and stage whose work often reflects the cultural and religious conflicts of the city where he was born.
Of Welsh parentage, Owen attended school in Wales and Liverpool and began his theatrical training as an assistant stage manager in repertory theatre (1942) and then became a stage and screen actor. He started writing for radio and television in 1957, quickly proving his sharp ear for dialogue and his gift for characterization. His television plays, numbering more than 50, sometimes concentrated on the seamier aspects of city life, as in No Trams to Lime Street (1959). His quartet of plays, televised as Male of the Species (1969), with Laurence Olivier, Paul Scofield, Sean Connery, and Michael Caine, was immensely successful and was produced for the stage in 1974. But, although the play set out to depict the exploitation of women, the protagonist of the piece, Mary MacNeil, emerges as a willing victim and the men in her life as attractive.
Owen won critical acclaim for his stage plays, which included Progress to the Park and The Rough and Ready Lot, both of which were broadcast in 1958 and produced for the stage in 1959 and which depicted religious and cultural bigotry. The former concerns the destruction of the love between a Protestant boy and a Roman Catholic girl in Liverpool of the late 1950s. In The Rough and Ready Lot, the four main characters, soldiers of fortune fighting for the independence of South American Indians, all represent opposing views of life. Three extremists—a political revolutionary, a fanatical Roman Catholic, and a “realist”—all eloquently expound their respective positions, but it is the fourth protagonist—the one who makes no judgments on life—who is the only one to survive the ordeal.
In 1961 Owen received the Screenwriters Guild Award for The Rose Affair (produced for television 1961; produced for stage 1966), a modern-day version of the fairy tale “The Beauty and the Beast,” and another play, A Little Winter Love, was produced in 1963. Owen is perhaps best remembered as the author of the screenplay for the Beatles’ first film, A Hard Day’s Night (1964). From the 1970s on, he produced plays mainly for television, although he also continued to write for the stage.