John Sayles
- In full:
- John Thomas Sayles
- Born:
- September 28, 1950, Schenectady, New York, U.S. (age 74)
- Notable Works:
- “A Moment in the Sun”
- “Amigo”
- “Baby, It’s You”
- “City of Hope”
- “Dillinger in Hollywood”
- “Eight Men Out”
- “Honeydripper”
- “Lianna”
- “Limbo”
- “Lone Star”
- “Matewan”
- “Men With Guns”
- “Passion Fish”
- “Return of the Secaucus 7”
- “Silver City”
- “Sunshine State”
- “The Anarchist’s Convention”
- “The Brother from Another Planet”
- “The Pride of the Bimbos”
- “Union Dues ”
- “Yellow Earth”
John Sayles (born September 28, 1950, Schenectady, New York, U.S.) is an American motion-picture director, screenwriter, novelist, and actor who since the 1980s has been among the most prominent independent filmmakers in the United States. Parlaying his fees as a screenwriter of mainstream Hollywood films into funding for his own ambitious filmmaking projects, Sayles created an oeuvre in which the personal and the political intersect at the heart of the American experience.
The child of educators, Sayles earned a B.A. in psychology from Williams College (1972), where he also acted in plays and began writing fiction. After graduation Sayles supported himself with a variety of blue-collar jobs that broadened his worldview, as did a number of cross-country hitchhiking sojourns. In 1975 he published his first novel, The Pride of the Bimbos, about a cross-dressing barnstorming softball team. A year later he won an O. Henry Award for his short story “I-80 Nebraska, m.490–m.205,” and he earned another in 1977 for “Breed.” Sayles’s second novel, Union Dues (1977), which follows a West Virginia miner’s search for his son against the backdrop of the tumultuous 1960s, was a finalist for a National Book Award. His short stories from the period were collected in The Anarchist’s Convention (1979).
Sayles wrote his way into the motion-picture industry, using as his calling card a screenplay based on the Black Sox Scandal, which he would eventually direct as Eight Men Out (1988). His early screenwriting efforts—several of which were written for Roger Corman, including Piranha (1978) and Battle Beyond the Stars (1980)—were genre exercises that Sayles loaded with literary and cinematic references. Later for-hire screenwriting projects included The Howling (1981), The Quick and the Dead (1995), and The Alamo (2004). With a paltry $40,000 earned from his writing, Sayles made his directorial debut with Return of the Secaucus 7 (1980), which chronicled the reunion of former college friends who had been activists in the 1960s. The cast, made up primarily of actors with whom Sayles had worked in summer-stock theatre, included his Williams College classmates David Strathairn and Maggie Renzi, who became Sayles’s life partner and the producer of most of his films.
With Return, Sayles began a body of work that proved him to be the heir to the patient, character-driven tradition of independent filmmaking pioneered by John Cassavetes. Sayles’s politically aware films often focus on marginalized characters, weave together various strata of society, or examine unfamiliar chapters of U.S. history. Frequently they reveal a failure of American life to deliver on the promise of its national ideals, yet they are almost always leavened with humour and grounded in hope. In addition to writing, directing, and often acting in his films, Sayles also usually edited them himself.
His films as a director included Lianna (1983); Baby, It’s You (1983); Matewan (1987), a drama about coal miners fighting to form a union in the 1920s; The Brother from Another Planet (1984), a science-fiction comedy that lacerates discrimination; City of Hope (1991); Passion Fish (1992), which earned Sayles an Academy Award nomination for a best original screenplay, as did the intricately crafted cross-cultural murder mystery Lone Star (1996); The Secret of Roan Inish (1994); Men with Guns (1997); Limbo (1999); Sunshine State (2002); Casa de Los Babys (2003); Silver City (2004); and Honeydripper (2007).
Among his other books are Thinking in Pictures: The Making of the Movie Matewan (1987), the novel Los Gusanos (1991), and Dillinger in Hollywood (2004), a collection of short stories. While searching for a publisher for A Moment in the Sun (2011), a sweeping historical novel set during the turn of the 20th century, Sayles traveled to the Philippines to make Amigo (2010), a film account of the Philippine-American War (1899–1902). His later thriller Go for Sisters (2013) saw two women on opposite sides of the law team up to find the kidnapped son of one of them in Mexico. Sayles shifted his attention back to fiction with the novel Yellow Earth (2020), which examines the effects of a fracking oil boom on a small North Dakota town and a nearby Native American reservation.
Sayles was named a MacArthur fellow in 1983.
