Randolph Stow
- In full:
- Julian Randolph Stow
- Born:
- November 28, 1935, Geraldton, Western Australia, Australia
Randolph Stow (born November 28, 1935, Geraldton, Western Australia, Australia—died May 29, 2010, Harwich, Essex, England) was an Australian novelist and poet noted for his economical style and great powers of description.
Stow’s first novel, A Haunted Land (1956), a wild, almost Gothic tale, appeared in the same year that he graduated from the University of Western Australia. In 1957 he began to teach English at the University of Adelaide and brought out his second novel, The Bystander, a further treatment of the themes of A Haunted Land. He later worked in an Anglican mission for Aborigines in northwest Australia, assisted an anthropologist in New Guinea, and traveled to England, Scotland, and Malta. In 1962 and again in 1968 he taught at the University of Leeds, England, and in 1963 he taught at the University of Western Australia.
In 1963 appeared Tourmaline, another strange, powerful, and terrifying novel, and in 1965 The Merry-Go-Round in the Sea was published. In the latter novel the heritage of a land built on its contrasting traditions of convict settlement and South Pacific paradise clashes with the values of a new Australia emerging from the impact of World War II. Other novels include To the Islands (1958; rev. ed. 1981), a study of conflicts between a white Christian missionary and the Aborigines he attempts to control; Visitants (1979), about strange events on a Papua New Guinea island; and The Girl Green as Elderflower (1980), in which the protagonist encounters various supernatural creatures while recovering from an illness. His final novel, The Suburbs of Hell (1984), deals with murder in a small English town.
Among Stow’s books of poetry are Act One (1957), Outrider (1962), and A Counterfeit Silence (1969). He also published Poetry from Australia (1969) with Judith Wright and William Hart-Smith. Additionally, he wrote a book for children entitled Midnite: The Story of a Wild Colonial Boy (1967) and two libretti for operas scored by Peter Maxwell Davies, Eight Songs for a Mad King (published. and produced 1969) and Miss Donnithorne’s Maggot (produced 1974, published 1977).