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Unkei
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Ungyō, the closed-mouthed figure of a pair of Niō, or Heavenly Kings, both of whom are protector gods (manifestations of Vajrapani bodhisattva), painted wood sculpture by Unkei, 1203; at the Great South Gate of the Tōdai Temple, Nara, Japan. Height 8.42 metres. Agyō, the open-mouthed figure of a pair of Niō, or Heavenly Kings, both of whom are protector gods (manifestations of Vajrapani bodhisattva), painted wood sculpture by Unkei, 1203; at the Great South Gate of Tōdai Temple, Nara, Japan. Height 8.36 metres. Dainichi Nyorai (“Great Sun Buddha”)
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Unkei

Japanese sculptor
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Born:
1148?
Died:
1223
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Unkei (born 1148?—died 1223) was a Japanese sculptor of the Late Heian (1086–1185) and early Kamakura (1192–1333) periods, who established a style of Buddhist sculpture that had an immense impact on Japanese art for centuries.

Ungyō, the closed-mouthed figure of a pair of Niō, or Heavenly Kings, both of whom are protector gods (manifestations of Vajrapani bodhisattva), painted wood sculpture by Unkei, 1203; at the Great South Gate of the Tōdai Temple, Nara, Japan. Height 8.42 metres.
1 of 2
Ungyō, the closed-mouthed figure of a pair of Niō, or Heavenly Kings, both of whom are protector gods (manifestations of Vajrapani bodhisattva), painted wood sculpture by Unkei, 1203; at the Great South Gate of the Tōdai Temple, Nara, Japan. Height 8.42 metres.
Agyō, the open-mouthed figure of a pair of Niō, or Heavenly Kings, both of whom are protector gods (manifestations of Vajrapani bodhisattva), painted wood sculpture by Unkei, 1203; at the Great South Gate of Tōdai Temple, Nara, Japan. Height 8.36 metres.
2 of 2
Agyō, the open-mouthed figure of a pair of Niō, or Heavenly Kings, both of whom are protector gods (manifestations of Vajrapani bodhisattva), painted wood sculpture by Unkei, 1203; at the Great South Gate of Tōdai Temple, Nara, Japan. Height 8.36 metres.

Unkei’s father, Kōkei, was himself a famous sculptor. Unkei became a sculptor of merit before age 20 and was commissioned by the Kamakura shogunate (the military government with headquarters in Kamakura) to make statues for the Kōfuku Temple and Tōdai Temple in Nara. He undertook the task with the help of Kaikei, his father’s best pupil, and more than 20 assistants. Best known of their collaborative efforts are the Kongo-rikishi, two nearly 28-foot- (more than 8-metre-) tall statues of the Niō (two protector gods, or Heavenly Kings; completed 1203) at the Great South Gate (Nandai-mon) of Tōdai Temple. The realistic and dynamic style of these statues is typical of Unkei’s art. In his later years he chiefly worked for the Kamakura shogunate, producing many portrait sculptures.

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