Alessandro Algardi summary

Learn about the life of Alessandro Algardi, Italian sculptor

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Algardi, Alessandro: Meeting of Attila and Pope Leo — Algardi, Alessandro: *Meeting of Attila and Pope LeoMeeting of Attila and Pope Leo*, colossal marble relief by Alessandro Algardi, 1646–53; in St. Peter's Basilica, Rome.

Alessandro Algardi, (born July 31, 1595, Bologna, Papal States—died June 10, 1654, Rome), Italian sculptor. He trained in Bologna under the Carracci family and in 1625 moved to Rome, where he designed the stucco decorations in San Silvestro al Quirinale. He later became the most outstanding Baroque sculptor in Rome after Gian Lorenzo Bernini. He was a prolific sculptor of portrait busts, and his colossal marble relief of the Meeting of Attila and Pope Leo (1646–53) in St. Peter’s Basilica influenced the development and popularity of illusionistic reliefs. His work as a restorer of antique statuary brought him some notoriety.

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Baroque art and architecture Summary

Baroque art and architecture, the visual arts and building design and construction produced during the era in the history of Western art that roughly coincides with the 17th century. The earliest manifestations, which occurred in Italy, date from the latter decades of the 16th century, while in

relief Summary

Relief, (from Italian relievare, “to raise”), in sculpture, any work in which the figures project from a supporting background, usually a plane surface. Reliefs are classified according to the height of the figures’ projection or detachment from the background. In a low relief, or bas-relief

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sculpture Summary

Sculpture, an artistic form in which hard or plastic materials are worked into three-dimensional art objects. The designs may be embodied in freestanding objects, in reliefs on surfaces, or in environments ranging from tableaux to contexts that envelop the spectator. An enormous variety of media