Audrey Hepburn summary

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Below is the article summary. For the full article, see Audrey Hepburn.

Audrey Hepburn, orig. Edda van Heemstra Hepburn-Ruston, (born May 4, 1929, Brussels, Belg.—died Jan. 20, 1993, Tolochenaz, Switz.), Belgian-born film actress. After spending World War II in the Nazi-occupied Netherlands, she studied ballet and acting in London. She was discovered by Colette, who insisted she play the lead in Gigi on Broadway (1951). She made her U.S. film debut in Roman Holiday (1953, Academy Award), then returned to Broadway in Ondine (1954, Tony Award). She projected a radiant, elfin innocence combined with elegance in films such as Sabrina (1954), War and Peace (1956), Funny Face (1957), Breakfast at Tiffany’s (1961), My Fair Lady (1964), and Wait Until Dark (1967). She later devoted herself to charity work and was a goodwill ambassador for UNICEF.

Grammy Award Summary

Grammy Award, any of a series of awards presented annually in the United States by the National Academy of Recording Arts & Sciences (NARAS; commonly called the Recording Academy) or the Latin Academy of Recording Arts & Sciences (LARAS; commonly called the Latin Recording Academy) to recognize

Academy Award Summary

Academy Award, any of a number of awards presented annually by the Academy of Motion Picture Arts and Sciences, located in Beverly Hills, California, U.S., to recognize achievement in the film industry. The awards were first presented in 1929, and winners receive a gold-plated statuette commonly

acting Summary

Acting, the performing art in which movement, gesture, and intonation are used to realize a fictional character for the stage, for motion pictures, or for television. (Read Lee Strasberg’s 1959 Britannica essay on acting.) Acting is generally agreed to be a matter less of mimicry, exhibitionism, or

film Summary

Film, series of still photographs on film, projected in rapid succession onto a screen by means of light. Because of the optical phenomenon known as persistence of vision, this gives the illusion of actual, smooth, and continuous movement. (Read Martin Scorsese’s Britannica essay on film