Ellsworth Kelly, (born May 31, 1923, Newburgh, N.Y., U.S.—died Dec. 27, 2015, Spencertown, N.Y.), U.S. painter and sculptor. In 1948 the G.I. bill allowed him to travel to Paris, where he was exposed to various avant-garde developments. By 1949 he made his first completely abstract painting; he would create abstract work throughout his career. Kelly moved back to the U.S. in 1954. By the end of the decade he became a leading exponent of the hard-edge style of painting, in which abstract contours and large areas of flat colour are sharply and precisely defined. Influenced by the biomorphic abstractions of Jean Arp and the paper cutouts of Henri Matisse, he used the clean geometric lines of his paintings in painted, cut-out sheet-metal sculptures. Kelly refined his pursuit of pure style throughout the late 20th century, eventually also pursuing printmaking and large-scale public sculpture.
Ellsworth Kelly Article
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drawing Summary
Drawing, the art or technique of producing images on a surface, usually paper, by means of marks, usually of ink, graphite, chalk, charcoal, or crayon. Drawing as formal artistic creation might be defined as the primarily linear rendition of objects in the visible world, as well as of concepts,
sculpture Summary
Sculpture, an artistic form in which hard or plastic materials are worked into three-dimensional art objects. The designs may be embodied in freestanding objects, in reliefs on surfaces, or in environments ranging from tableaux to contexts that envelop the spectator. An enormous variety of media
painting Summary
Painting, the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language. The elements of this language—its shapes, lines, colors, tones, and textures—are used in various ways to produce sensations of volume, space, movement, and light