Glenda Jackson summary

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Glenda Jackson, (born May 9, 1936, Birkenhead, Cheshire, Eng.), British actress and politician. Discovered by Peter Brook, she was cast in his Theatre of Cruelty revue and soon appeared as the mad Charlotte Corday in his celebrated production of Peter Weiss’s Marat/Sade (1964; film 1967). She became known for her tense portrayals of complex women, gaining international acclaim in the film Women in Love (1969, Academy Award) and later successes such as Sunday Bloody Sunday (1971), A Touch of Class (1973, Academy Award), and the television miniseries Elizabeth R (1971). From 1992 to 2015 she served in the House of Commons. Jackson then returned to acting, notably appearing in Edward Albee’s Three Tall Women (2018, Tony Award).

Academy Award Summary

Academy Award, any of a number of awards presented annually by the Academy of Motion Picture Arts and Sciences, located in Beverly Hills, California, U.S., to recognize achievement in the film industry. The awards were first presented in 1929, and winners receive a gold-plated statuette commonly

Labour Party Summary

Labour Party, British political party whose historic links with trade unions have led it to promote an active role for the state in the creation of economic prosperity and in the provision of social services. In opposition to the Conservative Party, it has been the major democratic socialist party

Know about the evolution of the House of Commons of the United Kingdom, the roles of its members, and their election

House of Commons Summary

House of Commons, popularly elected legislative body of the bicameral British Parliament. Although it is technically the lower house, the House of Commons is predominant over the House of Lords, and the name “Parliament” is often used to refer to the House of Commons alone. The origins of the House

acting Summary

Acting, the performing art in which movement, gesture, and intonation are used to realize a fictional character for the stage, for motion pictures, or for television. (Read Lee Strasberg’s 1959 Britannica essay on acting.) Acting is generally agreed to be a matter less of mimicry, exhibitionism, or