Jack Lemmon summary

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Jack Lemmon, orig. John Uhler Lemmon III, (born Feb. 8, 1925, Newton, Mass., U.S.—died June 27, 2001, Los Angeles, Calif.), U.S. actor. He attended Harvard University and acted in radio and television dramas before making his Broadway debut in 1953. He established his movie career in Mister Roberts (1955, Academy Award) and became noted for his character portrayals, often playing excitable, baffled individuals in movies such as Some Like It Hot (1959), The Apartment (1960), The Odd Couple (1968), and The Out-of-Towners (1970). His many other films include Save the Tiger (1973, Academy Award), The China Syndrome (1979), Missing (1982), and Glengarry Glen Ross (1992). He received an Emmy Award for his portrayal of a dying college professor in the television film Tuesdays with Morrie (1999).

Academy Award Summary

Academy Award, any of a number of awards presented annually by the Academy of Motion Picture Arts and Sciences, located in Beverly Hills, California, U.S., to recognize achievement in the film industry. The awards were first presented in 1929, and winners receive a gold-plated statuette commonly

acting Summary

Acting, the performing art in which movement, gesture, and intonation are used to realize a fictional character for the stage, for motion pictures, or for television. (Read Lee Strasberg’s 1959 Britannica essay on acting.) Acting is generally agreed to be a matter less of mimicry, exhibitionism, or

comedy Summary

Comedy, type of drama or other art form the chief object of which, according to modern notions, is to amuse. It is contrasted on the one hand with tragedy and on the other with farce, burlesque, and other forms of humorous amusement. The classic conception of comedy, which began with Aristotle in

film Summary

Film, series of still photographs on film, projected in rapid succession onto a screen by means of light. Because of the optical phenomenon known as persistence of vision, this gives the illusion of actual, smooth, and continuous movement. (Read Martin Scorsese’s Britannica essay on film