stained glass, Coloured glass used to make decorative windows and other objects through which light passes. Stained glass is often made in large, richly detailed panels that are set together in a framework of lead. Like all coloured glass, it acquires its colour by the addition of metallic oxides to molten glass. A purely Western phenomenon, stained glass originated as a fine art of the Christian church, beginning in the 12th–13th century, when it was combined with Gothic architecture to create brilliant, moving effects. A decline set in after the 13th century, when stained-glass artists began to seek the realistic effects sought by Renaissance painters, effects to which the technique was less suited and which diverted artists from exploiting the all-important light-refracting quality of glass. More recently, stained-glass artists again achieved high quality: during the 19th-century Gothic revival, in the Art Nouveau designs of Louis Comfort Tiffany, and in the work of such 20th-century artists as Marc Chagall.
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stained glass summary
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Georges Rouault Summary
Georges Rouault was a French painter, printmaker, ceramicist, and maker of stained glass who, drawing inspiration from French medieval masters, united religious and secular traditions divorced since the Renaissance. Rouault was born in a cellar in Paris during a bombardment of the city by the
Paolo Uccello Summary
Paolo Uccello was a Florentine painter whose work attempted uniquely to reconcile two distinct artistic styles—the essentially decorative late Gothic and the new heroic style of the early Renaissance. Probably his most famous paintings are three panels representing the Battle of San Romano (c.
Fernand Léger Summary
Fernand Léger was a French painter who was deeply influenced by modern industrial technology and Cubism. He developed “machine art,” a style characterized by monumental mechanistic forms rendered in bold colours. Léger was born into a peasant family in a small town in Normandy. He served a two-year
Marc Chagall Summary
Marc Chagall was a Belorussian-born French painter, printmaker, and designer who composed his images based on emotional and poetic associations, rather than on rules of pictorial logic. Predating Surrealism, his early works, such as I and the Village (1911), were among the first expressions of