Sound signals
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The limitations of purely visual navigation very early led to the idea of supplementary audible warning in lighthouses. The first sound signals were explosive. At first cannon were used, and later explosive charges were attached to retractable booms above the lantern and detonated electrically. Sometimes the charges contained magnesium in order to provide an accompanying bright flare. Such signals could be heard up to four nautical miles away. Bells also were used, the striker being actuated by weight-driven clockwork or by a piston driven by compressed gas (usually carbon dioxide). Some bells were very large, weighing up to one ton.
Compressed air
About the beginning of the 20th century, compressed air fog signals, which sounded a series of blasts, were developed. The most widely used were the siren and the diaphone. The siren consisted of a slotted rotor revolving inside a slotted stator that was located at the throat of a horn. The diaphone worked on the same principle but used a slotted piston reciprocating in a cylinder with matching ports. The largest diaphones could be heard under good conditions up to eight nautical miles away. Operating pressures were at 2 to 3 bars (200 to 300 kilopascals), and a large diaphone could consume more than 50 cubic feet (approximately 1.5 cubic metres) of air per second. This required a large and powerful compressing plant, 50 horsepower or more, with associated air-storage tanks.
A later compressed-air signal was the tyfon. Employing a metal diaphragm vibrated by differential air pressure, it was more compact and efficient than its predecessors.
Electricity
Modern fog signals are almost invariably electric. Like the tyfon, they employ a metal diaphragm, but in the electric signal they vibrate between the poles of an electromagnet that is energized by alternating current from an electronic power unit. Powers range from 25 watts to 4 kilowatts, with ranges from half a nautical mile to five nautical miles. Note frequencies lie between 300 and 750 hertz. Emitters can be stacked vertically, half a wavelength apart, in order to enhance the sound horizontally and reduce wasteful vertical dispersion.
Effective range
Propagation of sound in the open air is extremely haphazard, owing to the vagaries of atmospheric conditions. Wind direction, humidity, and turbulence all have an effect. Vertical wind and temperature gradients can bend the sound up or down; in the latter case it can be reflected off the sea, resulting in shadow zones of silence. The range of audibility of a sound signal is therefore extremely unpredictable. Also, it is difficult to determine with any precision the direction of a signal, especially from the bridge of a ship in fog.