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Until the early 1950s, the screen shape, or aspect ratio (expressed as the ratio of frame width to frame height), was generally 1.33 to 1, or 4 to 3. In the mid-1950s the ratio became standardized at 1.85 to 1 in the United States and 1.66 or 1.75 to 1 in Europe. These slightly wider images were accomplished by using the same film but smaller aperture plates in the projector and by using shorter-focal-length lenses. Many people have felt that, while vision at the extreme sides of the vision field does not usually contribute much information to the eyes, it ...(100 of 19892 words)