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French writing of the first quarter of the 20th century reveals a dissatisfaction with the pessimism, skepticism, and narrow rationalism of the preceding age and displays a new confidence in human possibilities, although this is undercut by World War I. There is continuity with the poetry of the late 19th century but a rejection of its prose. Mallarmé and Rimbaud were models for Paul Valéry and Paul Claudel, but members of the new generation, such as Charles-Louis Philippe, whose Bubu de Montparnasse (1901; Bubu of Montparnasse) followed Zola into the Paris slums, thought the Naturalist novel unduly deterministic and rejected ...(100 of 41004 words)