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Unlike the humanist playwrights of previous generations, Alexandre Hardy was first and foremost a man of the theatre. Poète à gages (in-house writer) to the Comédiens du Roi, the company established at the Hôtel de Bourgogne in Paris, he wrote hundreds of plays, of which 34 were published (1623–28). In addition to writing tragedies, he developed the tragicomedy and the pastoral play, which became the most popular genres between 1600 and 1630. In the theatre as elsewhere, the pastoral was a refining influence, providing a vehicle for the subtle analysis of feeling. Although the finest play of the 1620s is ...(100 of 41004 words)