The range and interpretation of subjects in different forms of devotional painting express a particular attitude to the relationship between human beings and God. Early Christian and Buddhist murals, for example, portrayed an all-powerful, remote, and mysterious being, painted as a flat, formalized head or figure whose stern gaze dominated the interiors of temples, churches, and sanctuaries. Christian Last Judgments and Buddhist hell paintings were intended to frighten believers, while subjects such as the Virgin Enthroned, the Assumption, and Buddha descending from Paradise sustained their faith with hopes for salvation and rewards of blissful immortality. When the autocratic ecclesiastical control ...(100 of 16294 words)