Janelle Monáe

Janelle Monáe (born December 1, 1985, Kansas City, Kansas, U.S.) is an American singer and actor best known for the albums The ArchAndroid (2010), The Electric Lady (2013), and Dirty Computer (2018) as well as for roles in the 2016 films Moonlight and Hidden Figures.

Early life and career

Monáe was born Janelle Monáe Robinson to a large extended family of devout Baptists. She was raised in a working-class neighborhood in Kansas City surrounded by some 50 first cousins. Her mother, Janet Robinson, worked as a caterer and a custodian, and her father, Michael Robinson Summers, was a sanitation worker. Throughout Monáe’s childhood, Summers struggled with an addiction to cocaine and was in and out of prison. They had a difficult relationship until he became sober in the mid-2000s. Her mother, meanwhile, separated from Summers before Monáe’s first birthday, and she later remarried and had a daughter, Kimmy.

Monáe’s family has said the musician was born to be a star. She won talent shows by covering Lauryn Hill’s 1998 song “The Miseducation of Lauryn Hill” and participated in high-school theater productions. After graduating, Monáe moved to New York City to attend the American Musical and Dramatic Academy. After a year, however, she dropped out and moved to Atlanta to live with cousins. There Monáe sold homemade CDs of her music on college campuses while working at Office Depot to support herself.

Metropolis

While performing at an open-mic night, Monáe caught the attention of rapper and producer Big Boi of the Atlanta-based hip-hop group Outkast. He arranged for her to appear on the Big Boi-produced compilation album Got Purp? Vol. II (2005) and on Outkast’s 2006 album Idlewild. Big Boi also introduced Monáe to Sean Combs. Monáe released the EP Metropolis: The Chase Suite in 2007 under her own label Wondaland and the following year signed to Combs’s Bad Boy Records, which then rereleased the EP. Metropolis introduced Monáe’s alter ego, Cindi Mayweather, whom she described as an android transported from the 28th century.

The ArchAndroid

In 2010 Monáe released her debut album, The ArchAndroid, which continued the story of Cindi Mayweather in two suites. Reviewers praised the album for its genre-bending music that blended classical orchestrations with a funk and R&B foundation. It was included on multiple lists of the best albums of 2010 and received a Grammy nomination for best contemporary R&B album.

The Electric Lady

The Electric Lady, the follow-up album to The ArchAndroid, was released in 2013. The album provided the fourth and fifth installments in the Cindi Mayweather story. The album featured appearances by Prince, Erykah Badu, and Solange. Reviewers singled out the tracks “Q.U.E.E.N.,” “Givin’ ’Em What They Love,” and the Bo Diddley-inspired piece “Dance Apocalyptic” as testaments to Monáe’s ambitious approach to recording. In a review for The Guardian, music critic Alexis Petridis highlighted the “distinct gay subtext to [the album’s] proceedings.” Petridis continued, “It seems faintly ridiculous typing this, given that it’s 2013 and not 1952, but the very fact that a mainstream R&B artist has released an album open to that interpretation feels an impressively bold move.”

Dirty Computer

In 2018 Monáe abandoned her Cindi Mayweather alter ego for the album Dirty Computer. She admitted to Rolling Stone that year that early in her career she had been insecure about meeting the ideals of show business and that the persona was a means of protecting herself. She said, “It had to do with the fear of being judged….All I saw was that I was supposed to look a certain way coming into this industry, and I felt like I [didn’t] look like a stereotypical black female artist.” Writing for Vox, Aja Romano wrote that Dirty Computer provided Monáe the opportunity to “fully express her identity as a pansexual black woman within her art.” Romano further praised the album and accompanying film as “one of the more gripping moments in modern science fiction” and called it “jubilant,” “queer,” and “Afrofuturist.” Billboard’s Gab Ginsberg called the album “pure magic” and “one of the most important bodies of work you’ll hear this year.” The album was nominated for the Grammy for album of the year.

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The Age of Pleasure

Monáe’s next album The Age of Pleasure (2023) was a further departure from the Cindi Mayweather storyline while still continuing themes of Afrofuturism. Harper’s Bazaar noted that Monáe wrote many of the songs during the height of the COVID-19 pandemic when all she wanted to do was “party and dance in the sun with loved ones.” Reviewers noticed a more optimistic tone to the album compared with the dystopian elements of Monáe’s previous albums, The Washington Post describing it as “pool-party music” and Pitchfork writing that “The Age of Pleasure revels in an ecclesiastic enjoyment of indulgence.”

Acting career

In between recording albums, Monáe built an acting career. Her first on-screen film role was in Moonlight (2016), which won best picture at the 2017 Academy Awards. She also appeared in the film Hidden Figures (2016), playing Mary Jackson, who in 1958 became the first African American female engineer to work at NASA. Other film credits include Harriet (2019), a biopic about Harriet Tubman, a leading abolitionist who helped dozens of enslaved people escape to freedom in the North along the route of the Underground Railroad; the horror film Antebellum (2020); and Glass Onion (2022), the sequel to the Daniel Craig-led murder mystery Knives Out (2019). She also starred in the second season (2020) of the Amazon anthology series Homecoming.

Wondaland

In addition to creating music and acting, Monáe founded the Atlanta-based record imprint Wondaland, which she announced in 2015 had entered a joint venture with Epic Records. Artists signed to the imprint include Jidenna, Roman GianArthur, St. Beauty, and Deep Cotton—the last being a group formed by longtime Monáe collaborators Nate Wonder and Chuck Lightning. The label expanded to include a film division in 2018, announcing a deal with Universal Pictures to develop content championing underrepresented voices.

Identity and The Memory Librarian and Other Stories of Dirty Computer

Monáe confirmed rumors in 2018 that she is queer and stated that she identifies as pansexual. She further elaborated on her identity in a 2022 episode of Jada Pinkett Smith’s Red Table Talk, saying that she is nonbinary and uses “she/they” pronouns. She channeled her experiences as a queer Black woman into not only her music but also her literary debut, the short-story collection The Memory Librarian and Other Stories of Dirty Computer (2022).