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The same universal aggressiveness was to have its field day in the coming war of nations, but in the intervening decade (1905–14) occurred the remarkable outburst of a creativeness, which, for the first time since 1789, had its source elsewhere than in Romanticism. The “Cubist decade” (as it has been conveniently called) gave the models and the methods of a new art, just as the natural and social sciences had begun to do for themselves a little earlier. Cubism in painting defined itself as a new Classicism, but it was obviously not Neoclassical. In painting and sculpture, in music and ...(100 of 156573 words)